So a few months back, I put out the search warrant for Austin bloggers. As it turns out this city is crazy blog-savvy, and that post helped me discover
all kinds of creative Austinites. One of those bloggers was Lavanna Martin, guerrilla coffee shop artist at "
I Stare At People." Check out this blog's concept: Lavanna visits coffee shops here in Austin, where she then paints portraits of people - in secret. The subjects do not know they're being painted. Then, she posts them on her blog.
Who knows: Maybe you've been painted?
A few weeks back, Lavanna and I sat down at Pacha, where she recently rendered the barista above.
1. What is "I Stare at People?" Where did you get this idea?“I Stare at People” is the title of my painting blog on Wordpress.com. The idea of painting strangers unposed in public grew out of the frustration of studio work. Most artists that are painting the figure or the portrait are painting from either photographs or a live model. They control the lighting and the pose. Both the model and the drawing have a tendency towards rigor mortis at its finish. I realized that I was sort of fed up with the entire studio thing, with all of the controls to keep the artist from free-falling into spontaneous work.
It was at this time of rethinking what and how I wanted to paint that I read Alain Botton’s book,
The Art of Travel. His book influenced me to move the obstacles from immediacy out of the way – get rid of photography, stop working in stages, and to document the moment as it is occurs. Working in this fashion is difficult, and I have a huge failure rate. It is not for the faint of heart –
you have to be kind of crazy.
If I weren’t doing work that lent itself so beautifully to the medium of the blog, I wouldn’t be doing it now. The entire effort of going to coffee houses to paint and journal what I see was so purposeful that I didn’t have to ask myself, “what do I want to blog about?” The painting and the blogging are such a nice union of creativity for me.
2. Where do you paint?I go to coffee houses all over town. So far, I have painted at Epoch Coffee, Spider House, Halcyon, Little City, La Tasca Fresca, Café Medici, JPsJava, and Café Caffeine. Of this list,
Epoch Coffee is probably the coffee house where I have done my best work. I cannot explain why, because it is not an environment that I find particularly conducive to creativity.
I am about to venture out to paint in places other than the coffee house, as was my original intention. I will be painting Spike Gillespie as she performs at the Blue Theatre later this month. I’m also in contact with the band “WeirdWeeds”, and hope to paint them as they perform. I would really like to paint an experimental classical string and wind ensemble, so if anyone in the Blogosphere could make that happen, I would love to do it!
3. Have you ever gotten "caught?" How have people reacted to your portraits?Yes, I get caught sometimes. People love it. This was a great relief to me because I am a timid person. If they come over to see what I am up to, they are surprised to see that I am actually painting what I see. They usually want to sit and chat, but when I’m working, I can be a bit obsessed with continuing my work. I need to remember to bring cards with my blog address on them, so that they can talk to me at my blog – I always forget!
4. How long does a portrait take you?I keep forgetting to time myself. I’m fast.
If they are making a counter order, I can capture them in less than a minute. Seated, I can get them in five minutes or less. Since I never know when they are going to leave, I have to be fast. My best work is either done in less than a minute, or at fifteen minutes and up. Sometimes, I can catch someone that is sitting for half to ¾ of an hour, and that is good.
5. What does your kit consist of?Since my original intent was to get to location by bicycle, I made sure that my supplies would fit inside a milk crate. Inside of a greengrocer’s tote, I carry these items: paper palette, brush kit, bamboo brush mat (for dirty brushes), a small square box of oil paints, a small box of oil and rags, collapsible mahl stick, 9x12 canvas sheet pads, and a table-mount easel. That’s it! (If you wish to see a picture of my “pochade”, please leave a comment for Tolly at the end of this post).
6. Any exhibit plans for your portraits?I do have some upcoming shows of studio work in Dallas and at AMSET. I haven’t approached anyone about showing my coffee house paintings that I show on my blog. I believe that being noticed will occur through what I like to call “organic growth”. I truly believe that if a person’s work is solid enough, is purposeful enough, that person won’t have to ask for an invitation. I am finally doing what I think that I am best at, and feel optimistic that it’s value will not go unnoticed.
(Editor's note: Wouldn't this be an ah-mazing art exhibit? If you are a coffee shop, art gallery, or any other creative space owner and would like information on displaying Lavanna's coffee shop paintings, simply leave a comment or email.)
Posts
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