Wednesday, November 30, 2011

More East Austin Studio Tour.


So when we were talking about East Austin Studio Tour last week, you probably finished the post saying to yourself, "wow that was a lot of pictures Tolly."  But what you didn't know was that I posted only HALF (more like, 1/4) of the pictures I actually took!  I was a little out of control that day.

Let's pick up where we left off then, shall we?

After our stop at Big Red Sun, my pal Amy and I continued gallivanting all over the east side.  The photo you see above was taken at Big Medium, and do you want to know an interesting fact?  The portrait of the disheveled-hair guy on the upper-right -- right next to the one of Keira Knightley -- looks exactly like my friend Rob.  Are you moonlighting on the side as a portrait model, Rob?  I think you are. 


We continued over to Pump Project's Satellite complex, where I ran into Callie Thompson.  Have you heard of Callie?  She's an Etsy success story.  Her printed fabrics (above) caught the attention of West Elm after they saw her stuff on Etsy, and now, they are featuring her prints in their catalog and home decor!  So go forth and produce, my Etsy friends.  You never know who's watching.


We wandered into this adjacent screen print shop, and were soon greeted by the gentlemen of Twin Villain.  They offered to make us t-shirts right there on the spot:


Iguana t-shirts go with everything.

Next, we visited my buddy Kiah Denson at Bay 6, where we spied those lovely femme fatal portraits of hers in-process: 


(Kiah also generously let me pick out one of her sketches too, which caused me to practically jump and click my heels I was so excited.  I chose this one!)

While there we met Kiah's friend Jackie, whose jewelry line is just ridiculous.  Do you remember making seed bead jewelry as a kid?  Jackie incorporates those tiny beads in an almost Native American-looking way.  


On our way home, we ran into Miss Anslee Connell of Savannah Red, standing prettily on the porch of her studio.  She gave us a little sneak peek of the line she's currently working on.


And finally ... we encountered this huge meadow, the type of meadow that forces you to drop everything and run through it.  And maybe also practice some cool dance moves.


If memory serves, I am performing either an Irish jig, a samba, or the Thriller dance here for Amy.  It's hard to say which one; all I know is, it was pret-ty impressive.

Monday, November 28, 2011

The Great Pie Giveaway!


Welcome back, Reader!  How was your Thanksgiving?  Did you eat some pie?  I bet you did.  

About a week and a half ago, I visited Jaynie at Cutie Pies, where she was hosting a little pie party.  I predict (and I'm not alone here) that pie is about to overtake cupcakes in the fetishized dessert category, especially when they are adorable and "personal" sized, like Jaynie's.    

And lo, in the generous and giving holiday spirit, Cutie Pies is now giving away 2,000 pies to Austinites!

Not 200.  Two zero zero zero.  Imagine 2,000 of these!:


You may be wondering what variety of pies these are.  The one directly above you (and flashing here) is called Heath Bar Pie, and it was my hands-down favorite at Jaynie's pie party.  

I'm sorry, but can we just appreciate for a moment the wonder that is Heath Bar Pie?  I used to order Heath Bar Blizzards back in the day from Dairy Queen, and there is this salty, crunchy quality to the chocolate that is just ridiculous.  In Jaynie's pie version, the texture is also chewy, gooey -- almost Pecan Pie-like.

Right above that is a Chocolate Mousse Pie, and Jaynie almost gave me a CONCERNED look when I reached for it.  "That pie is not for the faint of heart," she warned.  "It's only for serious chocolate people."

Well ... fortunately she didn't have to worry about that with me.  It's true, though -- Jaynie's Chocolate Mousse is like putting spoonfuls of thick chocolate ganache into your mouth.  It's seductive.  Dangerous.  The Bond Girl of pie.  

I didn't get a picture of it, but I would be remiss if I didn't also tell you about Jaynie's Buttermilk Pie, which has won awards: Specifically, "Best Pie in the South" (3rd Place) by Southern Living Magazine.  It's so soft in your mouth that it almost has a custard quality to it, and my husband recently ate an entire mini pie of it for breakfast.  Which is to say this he took a bite out of curiosity, while making his regular breakfast, and in the time it took him to finish making his regular breakfast that Buttermilk Pie somehow mysteriously disappeared!  (Into his belly.)

Now here is my question to you.  Would you like this wonderful woman to make you a pie?:

(Jaynie.)

If so, ClickedIn (a daily deals site, a la Groupon or Living Social) is offering a free Cutie Pie from Jaynie to the first 2,000 people who sign up.  So ...  

claim your pie here!

Et voilĂ !  One of those luscious pies above shall be yours.

Here's one more sweet picture from the pie party:


I love this little kid's expression.  Doesn't he look so thrilled?  Probably because he just had some pie.

good luck!

All photography by Melanie Grizzel, via She N' He Photography and Design.

***

(Also -- unrelated, but, may I just say how touched I am that so many people responded to last Wednesday's post about generations?  I think it's a fascinating topic too.  I have some more thoughts to share on that, specifically around which points of cultural connection we choose to hang our hat on -- I totally missed out on Harry Potter for example and regret that, so now I'm climbing aboard the Girl with the Dragon Tattoo books / film franchise ... but, to what end?  I'm still teasing it out.  Anyway.  I've really been enjoying hearing what you all have to say about the generations matter.)  

Wednesday, November 23, 2011

My tiny, transitional generation.

There's been a flurry of articles lately about generations, and I've been reading them all with fascination.

Writers are hoisting up their generational flags, claiming space in our collective conscious: The Millenials.  Gen X.  The newly-dubbed "Generation Catalano."  The Digital Natives haven't written anything yet, but I bet an aspiring 11 year-old media mogul is working up a draft somewhere as we speak.

Have you ever wondered where you fit in?  I think about this all the time.

Perhaps you were born squarely in the year 1955, and then you can say: "I'm a boomer!"  But me?  I've always felt a bit adrift. 

I was born in 1982, the year of Sophie's Choice and the Tylenol Killer.  I would play with Care Bears and Rainbow Brite, and I would watch 3-2-1 Contact and Reading Rainbow.  Maybe some of you can relate to these things.   

Doree Shafrir, clever author of "Generation Catalano" piece writes: "where the Millennials tend to define themselves in terms of the way they live now, people in my cohort find fellowship more in what happened in the past, clinging to cultural totems as though our shared experiences will somehow lead us to better figure out who we are."

Well, that's certainly true.  Those of us in Doree's cohort -- that small group born during the late '70s and early '80s -- love to reminisce, so much that it makes me laugh.  My friend Candace and I threw ourselves a David Bowie-themed birthday party a while back.  I can't stop reading Hipstercrite and her odes to Prince, Rick Moranis, and Pee-Wee Herman.  

Photo via Portroids.

We hold onto the pieces of our past with something like fondess, but also something like desperation, because we sense that "the past" will soon be this very nebulous Internet soup from which it becomes increasingly difficult to retrieve collective memories.

***

And actually?  When I think of "my generation," the one that straddles Gen X and the Millenials, I think our collective nostalgia points to something deeper.

I've always had this theory about us, that we were the last kids to grow up without the Internet, and that fact alone was pretty defining.  We got it in college or high school, and I remember watching the little yellow AOL man in a perpetual, frozen run on my computer screen, waiting for the dial-up to kick in.  Do you remember your first email?  I think mine was to my Dad, and it was something like: "Hi Dad.  You are cooking dinner in the kitchen right now.  Love, Tolly."    

Anyway, even though I love my blog, Facebook, Twitter, and all the conveniences of life imbued by speedy social media, I've always felt really, really, grateful that I didn't grow up with this stuff.  I've never been sure how to express exactly why, either, except for the fact that I'm so ADHD now, I can't imagine what a lifetime of Internet would have done.

But there's something else too, something that social scientists have been talking about for years: Fragmentation.  

I always find it strange whenever I'm talking about someone who is, to me, totally famous -- say, a big blogger or whatever -- and my conversation partner has no idea who I'm talking about.  Ditto for bands, or TV shows.  There are so many freakin' cultural options now.  But my generation, in our Internet-less tweens and teens, still defined ourselves around a set of basic organizing principles: You listened to Nirvana or you didn't.  You shopped at The Gap or you didn't.  That isn't to say we were conformist, it's just that the world hadn't gotten all Internety yet.  

And I miss that sometimes, the days when we had the same stuff to point to.  Maybe that's why my generation fumbled when we got social media. We didn't exactly launch Friendster or MySpace into orbit, probably because we didn't entirely get it.  But the Millenials?  Well, I'd say their little Facebook experiment turned out alright.

***

So who is my generation? We are the ones quoting old Troop Beverly Hills lines, but we're doing it over Twitter.  We're creating Tumblrs devoted to Saved By the Bell.  My point being: We use the Internet to patch together shared, past experience, and I've just now realized how much this affects the way I blog.

I've come to define my own blog in halves: Half shared Austin culture, half personal experience.  I want to be there with you right now Reader, bopping along to a band, eating pie, whatever.  But I also have that Millenial-esque tendency to share, to divulge, all with the subtext of: "You think I'm special, right?"

And it makes so much sense.  I used to think this was an Austin thing, this feeling of duality.  The town that invented Slacker, but the town that also invented SXSW.  We're relaxed but entrepreneurial, buzzed yes, but also business-savvy.  It's an interesting place.

But now I believe these feelings may be generational.

On the one hand, my tiny group wants to feel Part of Something.  To join.  To be in the club.  To laugh together about our first Madonna album.

And on the other hand, we want to distinguish ourselves, want to be recognized as the "special snowflakes" Fleet Foxes' Robin Pecknold famously described in "Helplessness Blues." 

We're still figuring out what we want.  We don't know who our spokesperson is.

Probably because that future spokesperson is still trying to figure out what he or she wants, too.

Tuesday, November 22, 2011

Eastbound & down.

It happens like this every year. 

I go to East Austin Studio Tour, hang out in a few print shops / ramshackle galleries / wooden lean-to's with pottery inside of them, and decide: I REALLY NEED TO LIVE HERE.   (The neighborhood lust is out of control these days.)

I have very confusing feelings toward the east side.  Sort of like the way you probably aren't 100% sure how you feel about Justin Bieber.  Oh, you think you know how you feel.  But have you actually watched him in an interview?  Just try it.  Not so sure now, are you?  Kinda appreciating his charming little personality, huh?

I used to pine for our future east side home, and laugh off the suggestion that parts of the neighborhood could be dangerous. "God, you're so white" I'd say, every time someone worried aloud about getting their car broken into.  Then my friend's car did.  Then my other friends got their house broken into.  Then a bad man yelled at me.  And I sheepishly had to say to those white friends, "ok ok.  So there's a little crime." 

Still.  Each time I'm there, knowing that I shouldn't be naive, I just ... want ... to stay.  Forever.  It's the gentrification cocktail that I am sipping, of pretty, sparkly coffee shops and boutiques and salons mixed in with the east side's wild, warehousy environs.  I'm guilty.  But into it.  I don't want people's rent to go up.  But damn, that's a really cute bar. So many feelings, all at the same time!

Anyway.  Where were we?  Ah yes: EAST.

So the reason lots of artists live / have lived on the east side is the rent, which historically, has been cheap.  That may change eventually, but for now, there are well over 100 studios over there.  My friend Amy and I visited like, six, and even so I took a billion pictures.  I'm pretty sure this is going to be Part One of a two-part post.

(Also, how adorable is Amy?


Answer: Very.)

Our first stop was Busy Being, a tiny art shop housed in the back of Domy Books.  It's run by Amber Abramson, who just moved to Austin from LA with her son, and told me a lot of the art comes from her friends.  I recommend checking out her totally fun Tumblr with all of Busy Being's art.


We strolled into Domy Books ... where the gallery has gone temporarily monster-themed.


Then we headed to Big Red Sun, this magical plant + decor + nursery space.  The old location was already dreamy; this new spot is more modern, open, and full of curiosities. 


Like this, for example.  What is it?  I have no idea.  But I want it.


This tiny dog had an identical twin and I ran around trying to snap pictures of them both.  He is attempting to capture a leaf here.


love you, east side.